Three layers of sounds can be combined to create fat bass sounds, and SUBSTANCE also comes with layer and global FX, filters, modulation, arpeggiator, macros, flux control, and 300 presets. Output’s SUBSTANCE is a deep bass / sub-bass instrument taking advantage of a variety of sources – analog synths, electric basses, acoustic basses, brass sections, sound designed presets, and others. SIGNAL requires either Kontakt Player or the full version of Kontakt 5.3.1 or above. Great for songwriting, scoring, and sound design alike! There are multiple built-in effects for additional sound shaping too – convolution reverb, filters, saturation, delays, among others.Īll in all, SIGNAL comes with 500 pulse instruments, up to four simultaneous pulses, tempo lock, four rhythms (looper, step sequencer, arpeggiator, LFO), and four MACRO sliders for each of the included 500 pulse instruments.įor adding rhythm and movement to your tracks with ease, you’ll be hard pressed to find a better instrument than SIGNAL. The engine consists of four simultaneous rhythms, an explosive 40 GB of content, LFOs, step, arpeggiator, looper, as well as basic and advanced modes.Įvery included pulse instrument comes with its own parameters for complete customization. SIGNAL offers a blend of analog synthesizer sounds and live instruments for creating sounds with a serious pulse. Output’s SIGNAL can do a bit of everything, and because it does it all with style and confidence, it’s a very dependable Kontakt instrument too! SubLab XL also features two macro controls, nine factory bass packs, over 300 samples (taken from a variety of classic drum machines and modulars like Roland TR-808, Roland TR-707, Nord Lead, Hexinverter BD9, Dave Smith Tempest, and many others). The LFO modulation section offers 18 routing options, multiple waveforms (sine, triangle, saw, square, and noise), rate control, and BPM sync. The synth engine comes complete with saw, triangle, and square waves (which can be layered to create super-saws), dry / wet mix, tune and detune, as well as stereo width controls. This plugin lets you mix and match up to four effects, including six types of distortions, waveshaper with sine fold and linear fold, tape with hiss and wobble, bitcrusher with decimation and bit mode, as well as compressor with auto sidechain and mix amount. SubLab XL is the expanded version of the original, with added features, modulation, FX, macros, and new sounds. There are a couple of other plugins in this guide that can give you the fat low end you’re looking for, but it’s hard to ignore something called SubLab XL, isn’t it? Modern productions require unprecedented amounts of low end – especially hip-hop and trap tracks. So, if it’s within your budget right now, and you know you need a virtual analog synth, have a closer look.īass. No doubt, you will also enjoy its mix and match modules, envelopes, effects, modifiers, trimmers, and oscilloscope too.ĭiva basically hits the nail on the head in terms of sound quality, budget, and features. There are virtually no flaws with Diva, so when we refer to “standout” features, we’re talking about things that are extra good about it. And, if you’re looking for a solid sub-bass option, Diva is a good place to start, but by no means should it be considered “just a sub-bass.” When it comes to Diva, producers often cite its glorious sub-bass sounds and authentic sounding filters as its standout features. Yes, FL Studio does come with some exceptional soft synths, but can you really have too many? Probably not, at least not when they sound this good. One of the most enduring and popular virtual analog soft synths of the last decade plus, u-he’s Diva is a monstrous, high-quality synth with authentic tones, plenty of parameters, and over 1,200 presets to boot.
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